Came across this recently and totally agree. Everybody and their momma is now a DJ.  It’s so easy!  According the new movie coming out where Zac Efron is on a mission to be a super cool dj he says, “All you need is a laptop, some talent, and one track.”  Put a pair of technics in front of most new school DJ’s and they would have no idea what to do with it.


– DJ 671



NON SATIRE ALERT:  Zac Efron has a movie coming out this summer about his quest to be an awesome DJ.  Picture the Holocaust but worse.  Picture the worse Michael Bay movie times 1000.  The Rodney King beating is more watchable. It’s visual waterboarding.  You get the point.  It’s bad.


Out of all the elements of hip hop I think that DJing has become the most bastardized and exploited.  Wanna breakdance?  Well for the most part you need some rhythm, coordination, strength, and dedication.  It’s takes a long time to get good.  You can’t have power moves or sick up rocks overnight. Wanna be a graffiti artist?  Well for the most part you need to know how to draw, use visual mediums, not be afraid to get arrested, etc. You need to put in work, and it will take years to find your style. Wanna be an MC?  Key word MC and not rapper.  You gotta be intelligent, witty, passionate, etc.  You gotta master the English language.  You gotta battle people to hone your skills.  Anybody can spit out a shitty rap, but not everybody can rhyme.


Wanna be a DJ?  Well now all you need is a laptop and a shitty playlist.  That’s it.  That’s how people perceive DJs now.  “Anybody can do it.  You’re just playing other people’s music.  ANYBODY can do it.”  In the trailer Zac Efron literally says, “If you’re a DJ all you need is a laptop, some talent, and one track.”  That’s it!   I understand technology is inevitable, blah blah blah but this movie totally misses the point.  It’s about the other DJ scene, and by that I mean the EDM scene primarily.  Button pushers spinning shitty electronic music who have no passion for the craft, any concept of digging, love the music, and who just want to look cool.  I’ve seen amazing sets on CDJ’s and Serato, but the difference is the people behind the decks have an actual love of music and do it because they love it.


These new school DJ’s could give two fucks about the music.  And some of these cats are getting PAID.  Want to get pissed off?  Google how much Paris Hilton makes for a “DJ set”.  This is how society now views the art of DJing.  It’s insulting.  The trailer is sooooo bad.  At one point Zac Efron says he likes to start the crowd out at 125 bpms.  Once he gets them going he cranks it up to a mindblowing 128 bpms!  128!  That’s a 3 BPM difference for those bad in math. Okay I’m down now.  I gotta go smoke a spliff and try to repress any memories I have of this movie trailer.  So there you have it kids.  Knock yourself out and become a superstar DJ. Anbody can do it.  Even Zac Efron.  If you need a good laugh check out the trailer below, but be warned:  you can’t unsee it..


-DJ 671




Ever wonder whats a needle and stylus looks like up close?  Realllly close like 1000x magnified?  Where here it is.  Pretty cool huh?  You can see each individual groove up close and personal, as well as the waves of the right and left channels.  Thanks science!





-DJ 671



Hipsters.  Oh hipsters.  So ironic.  So cool.  It takes a lot of work to look so cool but at the same time giving out the vibe like you don’t give a fuck.  Kudos kids.  So I read this article a while about how they now have beard combs made out of vinyl.  Vinyl!  Now hipsters can go to the record store on their fixie bikes to pick up an overpriced reissue, and then go back home to listen to the record while sipping on a PBR and combing their beards with these new vinyl combs while contemplating about something ironic or trying on ugly sweaters.  Cool beans.  So now in addition to vinyl coasters, bowls, card holders, etc. you can add combs to the list.  The company who makes them is called Upstairs shop.  You can check out their site with all sorts of hip stuff here.


-DJ 671





The world’s only traveling record show returns to Downtown Orange County this June. More info coming soon.






Have you heard of the Sure Fire Soul Ensemble?  If not you are sleeping.  According to their bio, “The Sure Fire Soul Ensemble is a heavy, original, instrumental soul band based in San Diego. They draw influence from the masters of the style from the past and modern day, including: The Meters, Isaac Hayes, El Michels Affair, Mulatu Astatke, Budos Band, The Nite Liters, Menahan Street Band, Fela Kuti, and The Poets of Rhythm.”  This describes them perfectly.  If you have never heard of any the masters of style they mentioned then you seriously need to get off this blog and google them and get some funk in your life.


We were blessed to have them perform last June at the Los Angeles Beat Swap Meet.  If you saw them perform then you saw them absolutely murder it.  Their newest 45 “Rise of the East” b/w “Sunny Santa Ana is another sure shot.  It’s their 3rd 45rpm release an 2nd on Timeless Takeover and their ringleader Tim Felten was gracious enough to bless me with a copy.


‘Rise of the East” is a funky horn driven track with a laid back feel.  You can easily play it at a breakdancing jam for any b-boy or b-girl to get down to, or while you cruise down the highway.  The horns are nice, the keys are smooth, and the drums are killer.  If you are a fan of the Budos Band then you will absolutely love this track.  Funky with a small hint of afrobeat and psych.


“Sunny Santa Ana” is a mellower guitar driven track, yet still has a funky, tropical vibe to it.  This is the track you play at that backyard bbq on a beautiful summer day while hanging out with your friends, or at the beach bonfire.  Surf funk for sure.  The guitar has that 60’s feel to it, and the subtle horns add nicely to it.  Again the drums are killer.


If you like instrumental funk, soul, afrobeat, rare grooves, and psych then you should definitely check out the Sure Fire Soul Ensemble.  They perform regularly in their hometown of San Diego, and will be performing on April 17th at the Good Foot in Long Beach.  Don’t sleep and be sure to pick up a copy right here.



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– DJ 671




He already told you “f*ck yo favorite rapper”… twice at that, and with a respected rep in the Los Angeles underground Born Allah is a clear and menacing threat to soft emcees. Being no stranger to wax, Born Allah is bringing listeners straight to the Westside on the vinyl superhighway at 33 and 1/3 RPM. 

Aficionados of street Hip Hop in Los Angeles should remember Born Allah not just from wrecking stages and mics but also from his appearances on records such as the ill boogie Vs. Series joint “Patience” where Born teamed up with Beat Junkie Melo-D in competition with Grand Agent and DJ Revolution in 2000.

This 2015 release “Westside” by Born Allah also known by his alias Daddy Grace of the church of hip hop and financial prosperity is a 12 inch vinyl single with a black label in a black jacket with a dope sticker with the Cali bear rockin a dodger cap on it which features two versions, one with RBX and Kam (labeled O/G Remix), and another with J-Ro of the Alkaholiks and Luckyiam PSC of Living Legends (labeled O/G Mix). Both versions of the track have a definitive nostalgic feel to them being an homage to “white lines” by Grandmaster Melle Mel. The record has instrumentals on each side as well as acapellas.
 The instrumentals bump, but the acapellas add the flexibility for DJs and producers to remix this joint from the east side to the west side. The twelve inch is available now from the church of Hip Hop and financial prosperity records.
-Leon Antonio Lustre
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This weekend Beat Swap Meet rolls into Dallas for our third show. Along with all of the great local collectors that have sold some great stuff there we will be joined by Classic Waxxx Records a local label started by  graphic designer Johnathan Kimbrell. We sat down to ask him a few questions.
When did Classic Waxxx get started?
Classic Waxxx initially started as a blog dedicated to vintage vinyl back in 2011. I’d write reviews of some of my favorite records, and ones I wasn’t too familiar with, mostly geared toward folks who were new to vinyl collecting. Over time, the blog morphed into a visula collection of LP covers, label designs and select tracks taken from my vinyl collection. It had always been a dream of mine to one day release music on vinyl, and after a few months of steady research, I launched Classic Waxxx Records in June 2014.
How many releases have there been?
Currently, we have three 7″ singles out in the world. The first from Canadian Outlaw Country band, the Coal Creek Boys, another release from local Dallas  punk rock band, Street Arabs, called “ILL FORM,” which is a 4-track EP. The third is a special Lightnin’ Hopkins single that kick-started our “Heritage Series” reissue campaign. There is also the latest full length record from the Coal Creek Boys, “Out West,” due later this Spring, as well as a Johnny Cash EP, recorded at the Big ‘D’ Jamboree in 1956. We have several other projects currenty in the works. Each release is pressed on colored vinyl in small, limited quantities. By December, we’ll probably have 8-10 total releases, either as 7″ singles or full length albums. 
How Long have you been a record collector?
I started collecting vinyl around 15 or 16. I’m 33 now. But, the majority of my collection has been built over the last six years or so. Lots of LPs, 45s and the occasional 78 thrown in for good measure.
Do you have a background in the music industry?
Other than designing album art and gig posters for bands and other labels, no. But, the music industry, sound recording, packaging, marketing and branding, have always fascinated me since I started buying music religiously, and have always wanted to at least be some small part of it. I always assumed the record business was some sort of secret club you had to know someone to get you in the front door. I kinda feel like I bypassed all that by setting up my own shop and doing things that I feel would work well for us, rather than being all about the commercial aspects of selling records.
Do you have any other ventures?
I’m a designer, printmaker and painter first and foremost, which allowed me to start the record label in the first place, and be as creative as I want to be with each project.
How do you determine what you will release on vinyl?
I wish I could say there was some great scientific process, but there isn’t. I’m a huge blues and jazz fan, and I really wanted the label to be a catalyst for getting this great material into the hands of younger music fans, before this stuff starts to disappear from the public’s mind . Since I was born in Texas, it’s also been important for me to highlight material that has a deep connection with Texas. Lightnin’ Hopkins is from Centerville, TX, and was the first blues musician I discoverd on my own, so it was really important to have him as our first ‘Heritage Series’ release. As with our forth-coming Johnny Cash release, he played the “Big ‘D’ Jamboree,” Dallas’ equivalent to the Grand Ole Opry, more times than any other performer, and being the Johnny Cash fanatic I am, It was a great opportunity to release these recordings.
What can we look forward to in the future?
We’ll be digging into the vast Texas Music mine much deeper over the next few months. We have Volume 2 of our “Heritage Series” coming out later this year, featuring two classic cuts from T-Bone Walker, who was from Oak Cliff, btw. The Coal Creek Boys are quickly working on a follow-up to “Out West” that will be released later this year, too. We’re also eyeing some other vintage music treasures by the likes of Willie Nelson, Howlin’ Wolf, Bob Marley, etc. for vinyl release, as well as more from the “Big ‘D’ Jamboree” vaults.
To order some of the releases visit http://classicwaxxx.storenvy.com/


The world’s only traveling record show hits the road again this April 2015.

Beat Swap Meet Dallas,

Join us for an afternoon with your family & friends … and a bunch of music you can touch.

Beat Swap Meet is a celebration of vinyl culture – records, and everything inspired by them.


A handful of Invited Record Collectors & Dealers from all over Dallas,

Buy Sell & Trade:
Blues, Funk, Hip Hop, Jazz, Metal, Psych, Punk, Reggae, Rock, Soul, and World 12’s LP’s & 45’s on VINYL.

DJ’s spin selections from their record collections:

+ Artists selling their own clothing, art, music & more

alllll going down…

Entrance: $3 w/ Canned Good
All Ages | Casual Drinking for the 21+
Questions? Info@beatswapmeet.com






Saturday April 4th 2015


2105 S. State St. #2109

Chicago, IL 60616




Hosted by Beat Swap Meet. It’s the World’s only traveling Record Show. Featuring invited record collectors from all Genres. Come on out and listen to some music and find some gems!

DJ Sets by:

David Yow of Jesus Lizard 
Spencer Moody of Murder City Devils
Martin Atkins of Invisible Records/Pigface/Ministry/PIL
These Old Men 
and more!

Free record fair entry with proof of purchase to the evening Negative Approach show or $3. 

For all you vinyl fanatics out there: Reggies will be showing the movie Records Collecing Dust at 6:30pm in the Rock Club. David Yow will be hosting!




For the first time in over six years, Squarepusher will grace a U.S. stage.  Set to headline the Regent Theatre in Downtown Los Angeles on April 13th 2015, the electronic virtuoso is back with an arsenal of melodic, aggressive, electronics.   Through the use of live bass playing and heavy beat manipulation, his live stage show is an evening of pleasant unpredictability.  Standing tall on a foundation of 12 full-length  vinyl releases and numerous limited 12” singles, the Squarepusher sound spans multiple music genres while pushing all previous clichés out of the way in the process.  In one his latest efforts Squarepusher teams up with Japanese Robotics genius Z-Machines to bring us; “Music For Robots.” Making music using instrument playing Robots has always fascinated Squarepusher. While people have always assumed that emotionally powerful music must come directly from a human hand, Squarepusher disagrees with this notion and loves to prove the world wrong in the process. The result is a unique album takes listeners down the path of charming melodies intertwined with intricate beat patterns. The concept here was to create diverse patterns that are physically impossible for even the most skilled humans to perform. The scene is set to life by a 22-armed drumming robot and a guitar-playing robot with the equivalent of 78 fingers.  Although Tom “Squarepusher” Jenkinson is most recognized for making manic, schizoid, experimental drum ‘n’ bass with a heavy progressive jazz influence, “Music For Robots” is an extreme opposite that takes listener to the other end of the music spectrum. To see these magnificent Robots come to life through the breath of music is almost unbelievable.


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Jenkinson grew up listening to jazz and dub greats like Miles Davis, Charlie Parker, and Art Blakey. The son of a jazz drummer, Jenkinson followed in his father’s footsteps, playing bass and drums in high school. He was later introduced to electronic music through experimental electro-techno artists such Carl Craig and LFO.  Jenkinson soon began creating breakbeat techno, post-bop avant-garde and progressive jazz. Critical acclaim  Jenkinson’s work peaked with 1998’s Music Is Rotted One Note, for which he became a one-man fusion group — multi-tracking himself playing drums, bass, and keyboards. The song “My Sound” displays the heavy Jazz influence in Jenkinson life while at the same time throwing in huge chunks of the electronic influenced portions of his life. A gorgeous recipe that listener continued to feed on for over a decade.

In 2015 Squarepusher hits us with his new full length, “Damogen Furies.” Set with a release date of April 21st 2015, the world’s anticipation is building exponentially. For this project Jenkinson returns to his music is math form of sound bending. Heavy glitch electronics with drum ‘n’ bass influenced beat patterns; Squarepusher has returned to the essence of exactly why the world fell in love with his sound. With strategically placed aggressive soundscapes, this album is well composed and yet another genius release from the electronic mastermind.  In previewing the song “Rayc Fire 2,” it is clear that Jenkinson is comfortable in this music space. He lets beat patterns play for mere seconds before they are destroyed under a dense wave of filtered distortion and low frequency oscillation. Audio waveforms change with unpredictable variation several times before the track even hits its mid-point. As a result of this diverse method, each track is filled with an enormous amount of audio twists and turns as the listener travels down this steep sonic path. So whether or not this musical style is your forte, one thing is clear. This April 13th, 2015 at The Regent Theatre in downtown Los Angeles, Squarepusher is not to be missed.


-DJ Early Worm




A focused multi-dimensional “post-genre” based artist from South Chicago. Radius started crafting beats in 2001. After producing tracks for local rappers, he began to further hone his skills as a producer/live performance artist; by winning in Chicago area beat battles and later performing in various hiphop & electronic showcases with the Moment Sound Crew (Garo, Lokua & Slava). Known for his improv live pa/beat sets; which range from a wide variety of tempos & sounds, highly inspired by his hiphop, jazz & house music roots, due to his Chicago upbringing. He has rocked alongside noteworthy artists including; Daedelus, Dj Shadow, Oddisee, Blu & Exile, Eliot Lipp, The Opus, Thavius Beck, Jeremiah Jae, Mono/Poly, Maker, Dj Houseshoes, & Guilty Simpson. Notable live showcases include Dublab, B-Real TV, Stop Biting Lo-Fi in Seattle, The Beat Swap Meet, Beat Cinema & The Low End Theory in Los Angeles.

His debut full length release ‘Neighborhood Suicide’ in 2008 on The Secret Life of Sound Label (Chicago), was well received in addition to ‘Radiushead’ his free Radiohead remix EP released that same year. In 2009 two limited independent projects, Scatterbrain Tapes Vol. 1 on Plustapes a local Chicago cassette based label and custom limited CD release ‘Etc…’ on Grittygoat based in NYC were released. These appearances led to mentions in Remix magazine, The Chicago Reader, The Chicago Tribune, Pot Holes In My Blog, The Amoeba Records Blog and an interview on the Frank 151 blog. He is cofounding member of two groups; LAGOS (w/ Leo 123 of Dark Party) and Beyond Luck (w/ Dj Moppy). He is currently promoting a new digital album; “Time Travel Is Real (A Prelude To Japan…) and a 7″ release; “Infinite Roots Vol. 1 from his imprint; ETC Records.

Be sure to click on this link  to see how you can contribute to making his first official full length vinyl release a reality. We promise you won’t regret it.



-DJ 671




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